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JK Keller

  • born 1976
    lives & works in New York, NY
    with Keetra Dean Dixon
  • about JK
  • website@c71123.com
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I will ALWAYS believe in WORK

I will ALWAYS believe in WORK
Varying sizes of PostBitmapScripted Helvetica (6pt-24pt).
  • Added: 2007 Apr 02 @ 23:11
  • Updated: 2008 May 14 @ 02:28
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  • Tags: computation, motto, poster, typography

Projects

  • Dirty Mousepads
  • Insecurity Envelopes
  • Harp
  • Songs About Rainbows
  • Economic Turnaround
  • Tantamount Series
  • A Fictitious Argument Emerges Between Coriolis & Beaufort
  • Domestic Spacial Turbulence
  • The Adaption to My Generation (a daily photo project)
  • Drawings
  • BoxBots
  • Slitscan Type Generator
  • Paulette (folded) Typeface
  • PostBitmapScripter
  • The New York Times Magazine ‘On Language’ Lettering
  • American Sign Language Matchbooks
  • A Case Study in favor of Global Warming
  • Letterpress Business Cards & Postcards
  • I will ALWAYS believe in WORK
  • Clip-Art Mods
  • Spamstractions
  • Where We Went From (www.from)
  • Volumetric Redundancies
  • How to photograph a design poster
  • Harmen Liemburg Lecture Poster
  • Tequiladega Nights Poster
  • Stitched with Love, by my Mom
  • Wearables
  • I Heart You
  • Jumper Bumpers
  • Live Free or Die! Fence Type

10 Responses to “I will ALWAYS believe in WORK”

  • On April 3rd, 2007 at 16:57, jenny. said:
    Reply to jenny.

    me too.

  • On April 20th, 2007 at 20:39, Dr. Kobra said:
    Reply to Dr. Kobra

    at the risk of sounding yearbooky, it was fun getting to know you this year and hopes to continue via email etc… especially now that you’re an emo rocker with your sensitive shorn skull

  • On April 24th, 2007 at 15:44, Paul said:
    Reply to Paul

    I dont get it :S and no description. Whats it about and how did you do it?

    • On April 24th, 2007 at 16:11, JK said:
      Reply to JK

      Whoops! I had linked to an older post about the typeface development. Link is fixed and now should explain how the type is created.

      If you don’t understand the text, well, I’m not sure I can illuminate it in any other way.

  • On June 8th, 2007 at 14:31, mePraP said:
    Reply to mePraP

    What is this mate ??

    • On June 10th, 2007 at 21:35, JK said:
      Reply to JK

      Simply put, it is a computationally derived type study. If you can’t understand it from the top graphic here it probably isn’t your bag of tea.

  • On September 15th, 2007 at 18:06, Bob C said:
    Reply to Bob C

    It’s really cool, and whimsically ironic since it was obviously a lot of work.

  • On July 22nd, 2008 at 23:43, Fatimah said:
    Reply to Fatimah

    woah woah woah, the visual language is beautiful, texture formed by repetition, placement, form, all there, great.

  • On April 26th, 2009 at 01:53, Mari said:
    Reply to Mari

    Hi as someone who used to do a lot of time-based work myself(which has been practiced by many artists from the 1960s onwards)
    do you think there is a point where it stops being about obsession et al and becomes too much so it loses meaning/ verges on the ridiculous? (No offence to yourself).

    • On May 17th, 2009 at 17:57, JK said:
      Reply to JK

      I think obsession always straddles a line between sanity and the ridiculous. That’s precisely what makes it an obsession.

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Recent Comments

  • I would prefer to go unnammed: Wow. I actually started...
    1 day 22 hours ago on The Adaption to My Generation (a daily photo project)
  • Nictos: Good stuff, JK. Just what I needed to chill out. The Cage/Feldman conversation …...
    5 days 22 hours ago on Dirty Mousepads
  • Michael: I’ve been looking at a bunch of your projects today and I just wanted to tell...
    8 days 3 hours ago on Jumper Bumpers
  • oogie boogie: hi. this is a little odd, not quite sure...
    9 days 1 hour ago on The Adaption to My Generation (a daily photo project)
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    9 days 16 hours ago on The Adaption to My Generation (a daily photo project)

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