at the risk of sounding yearbooky, it was fun getting to know you this year and hopes to continue via email etc… especially now that you’re an emo rocker with your sensitive shorn skull
Hi as someone who used to do a lot of time-based work myself(which has been practiced by many artists from the 1960s onwards)
do you think there is a point where it stops being about obsession et al and becomes too much so it loses meaning/ verges on the ridiculous? (No offence to yourself).
me too.
at the risk of sounding yearbooky, it was fun getting to know you this year and hopes to continue via email etc… especially now that you’re an emo rocker with your sensitive shorn skull
I dont get it :S and no description. Whats it about and how did you do it?
Whoops! I had linked to an older post about the typeface development. Link is fixed and now should explain how the type is created.
If you don’t understand the text, well, I’m not sure I can illuminate it in any other way.
What is this mate ??
Simply put, it is a computationally derived type study. If you can’t understand it from the top graphic here it probably isn’t your bag of tea.
It’s really cool, and whimsically ironic since it was obviously a lot of work.
woah woah woah, the visual language is beautiful, texture formed by repetition, placement, form, all there, great.
Hi as someone who used to do a lot of time-based work myself(which has been practiced by many artists from the 1960s onwards)
do you think there is a point where it stops being about obsession et al and becomes too much so it loses meaning/ verges on the ridiculous? (No offence to yourself).
I think obsession always straddles a line between sanity and the ridiculous. That’s precisely what makes it an obsession.
This is really nice, your work is amazing